Showing posts with label Pompeii. Show all posts
Showing posts with label Pompeii. Show all posts

Friday, March 27, 2015

Pompeii World of Wonders Exhibited to Recreated Life of a Roman City

""An ominous soundtrack of bass drums and woodwinds thumps throughout the dimly lit exhibit.
“POMPEII: The Exhibition” is dark in lighting and mood.
It is also a hauntingly beautiful glimpse into daily life in Pompeii, an ancient Roman city destroyed by a volcanic eruption in 79 AD. The featured exhibit at Pacific Science Center lives up to its tagline that what nature destroyed, it also preserved.
The massive eruption of Mount Vesuvius, a volcano six miles from the city, killed an estimated 20,000 of Pompeii's citizens. The city sat quietly beneath the ash for centuries, before being unearthed by a Spanish archaeological team in the 18th century.
The 150 artifacts are impressive in range and thought-provoking in subject matter.
A vast collection of paintings, ceramics, mosaics, jewelry, gladiator armor, coins, kitchen utensils and elegant marble sculptures seem untouched by time. The artifacts  preserved by the layers of ash are a testament to the impressive skills of their craftsmen.
The Romans had an eye for design. Even the smallest details remain visible in their work, from the tiny etches on jewelry, coins and candle-holders to perfectly symmetrical patterns adorning massive porcelain sculptures, tableaus and fountain bowls.
The Pompeiians created masterful art and architecture. They entertained guests in lavishly decorated open-air rooms. They ate well, drank too much, made jokes about drinking too much, went to the gym and enjoyed shows at the amphitheater.
The artists of Pompeii were candid about their vices. Artwork from the period reveals the society's alcoholism and unabashed promiscuity. From the bathhouses to the brothels, the exhibit doesn't exclude any corner of the city.
Most of the displays are suitable for kids. There is a posted warning for parents before the erotic artifacts.
The exhibit never loses sight of the human tragedy caused by the eruption. Most of the 20,000 victims were asphyxiated by extreme heat and noxious gases.
Preserved by volcanic ash and filled with plaster when first unearthed, their bodies replicate the same poses held when killed by the eruption.
Throughout the exhibit, visitors can be heard whispering to each other about “the bodies,” though they are not actual bodies. Displayed behind glass, they are plaster models of the original casts made of the victims.
The bodies are memorialized by their will to live: Figures of men, scrambling up a flight of stairs together. A pregnant woman. A young child.
The exhibit comes to a close with a five-minute time-lapse film of Pompeii's destruction, complete with computer-generated imagery, strobe lights, fog machine and surround-sound of buildings crumbling.""

Ash and Brimstone:

Thursday, January 22, 2015

X-ray'd Ancient Scroll Documents Blackened by Mount Vesuvius Near Pompeii Readable at Last




""The 79 A.D. eruption of Mount Vesuvius is most famous for burying Pompeii, spectacularly preserving many artifacts—and residents—in that once bustling town south of Naples. The tumbling clouds of ash also entombed the nearby resort of Herculaneum, which is filled with its own wonders. During excavations there in 1752, diggers found a villa containing bundles of rolled scrolls, carbonized by the intense heat of the pyroclastic flows and preserved under layers of cement-like rock. Further digs showed that the scrolls were part of an extensive library, earning the structure the name Villa of the Papyri.

Blackened and warped by the volcanic event, the roughly 1,800 scrolls found so far have been a challenge to read. Some could be mechanically unrolled, but hundreds remain too fragile to make the attempt, looking like nothing more than clubs of charcoal. Now, more than 200 years later, archaeologists examining two of the scrolls have found a way to peer inside them with x-rays and read text that has been lost since antiquity.



"Anybody who focuses on the ancient world is always going to be excited to get even one paragraph, one chapter, more," says Roger Macfarlane, a classicist at Brigham Young University in Utah. "The prospect of getting hundreds of books more is staggering."

Most of the scrolls that have been unwrapped so far are Epicurean philosophical texts written by Philodemus—prose and poetry that had been lost to modern scholars until the library was found. Epicurus was a Greek philosopher who developed a school of thought in the third century B.C. that promoted pleasure as the main goal of life, but in the form of living modestly, foregoing fear of the afterlife and learning about the natural world. Born in the first century B.C. in what is now Jordan, Philodemus studied at the Epicurean school in Athens and became a prominent teacher and interpreter of the philosopher's ideas.

Modern scholars debate whether the scrolls were part of Philodemus' personal collection dating to his time period, or whether they were mostly copies made in the first century A.D. Figuring out their exact origins will be no small feat—in addition to the volcano, mechanical or chemical techniques for opening the scrolls did their share of damage, sometimes breaking the delicate objects into fragments or destroying them outright. And once a page was unveiled, readability suffered.



"Ironically, when someone opened up a scroll, they would write on a separate sheet what they could read, like a facsimile, and the original ink, once exposed to air, would start to fade," says Brent Seales, a computer scientist at the University of Kentucky who specializes in digital imaging. What's more, the brute-force techniques usually left some pages stuck together, trapping hidden layers and their precious contents.

From 2007 to 2012, Seales collaborated with Daniel Delattre at the French National Center for Scientific Research in Paris on a project to scan scrolls in the collections of the Institut de France—former treasures of Napoleon Bonaparte, who received them as a gift from the King of Naples in 1802. Micro-CT scans of two rolled scrolls revealed their interior structure—a mass of delicate whorls akin to a fingerprint. From that data the team estimated that the scrolls would be between 36 and 49 feet long if they could be fully unwound. But those scans weren't sensitive enough to detect any lettering.

The trouble is that papyri at the time were written using a carbon-based ink, making it especially hard to digitally tease out the words on the carbonized scrolls. Traditional methods like CT scans blast a target with x-rays and look for patterns created as different materials absorb the radiation—this works very well when scanning for dense bone inside soft tissue (or for peering inside a famous violin), but the method fails at discerning carbon ink on blackened scrolls.



Now a team led by Vito Mocella of the Italian National Research Council has shown for the first time that it is possible to see letters in rolled scrolls using a twist on CT scanning called x-ray phase-contrast tomography, or XPCT. Mocella, Delattre and their colleagues obtained permission to take a fragment from an opened scroll and a whole rolled scroll from the Paris institute to the European Synchrotron in Grenoble. The particle collider was able to produce the high-energy beam of x-rays needed for the scans.

Rather than looking for absorption patterns, XPCT captures changes in the phase of the x-rays. The waves of x-rays move at different speeds as they pass through materials of various density. In medical imaging, rays moving through an air-filled organ like a lung travel faster then those penetrating thick muscle, creating contrast in the resulting images. Crucially, the carbon-based ink on the scrolls didn't soak into the papyrus—it sits on top of the fibers. The microscopic relief of a letter on the page proved to be just enough to create a noticeable phase contrast.""



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